Flick, Stephen Hunter 1949- (Stephen Flick, Stephen H. Flick, Steve Flick, Steve H. Flick, Steven H. Flick, Steven Hunter Flick)

PERSONAL

Born June 21, 1949, in Evanston, IL; son of C. E. and Margaret Ann Flick. Education: San Jose State University, B.F.A.; also attended the University of Southern California Film School, 1973-75.

Addresses:

Office—Weddington Productions, 2959 Glendale Blvd., Los Angeles, CA 90039-1801.

Career:

Sound effects creator and editor, sound editor, sound designer, and producer. Director of television commercials, including spots for Dos Equis beer; sound editor for trailers and picture editor for Roger Corman's New World Pictures.

Member:

Motion Picture and Video Tape Editors Guild.

Awards, Honors:

Academy Award nomination (with Richard L. Anderson), best sound effects editing, 1983, for Poltergeist; Academy Award (with John Pospisil), special achievement award—best sound effects editing, 1988, for RoboCop; Academy Award nomination (with Richard Shorr), best sound effects editing, 1989, for Die Hard; Academy Award nomination, best sound effects editing, 1991, for Total Recall; Film Award nomination (with others), best sound, British Academy of Film and Television Arts, 1995, for Pulp Fiction; Academy Award, best sound effects editing, and Film Award (with others), best sound, British Academy of Film and Television Arts, both 1995, for Speed; Golden Reel Award (with others), best sound editing—special venues, 1999, for T-Rex: Back to the Cretaceous; Golden Reel Award nominations, best sound editing in domestic features—sound effects and Foley (with others), and best sound editing in domestic features—dialogue and automated dialogue replacement (with others), Motion Picture Sound Editors, 2003, both for Spider-Man; Golden Reel Award nomination (with others), best sound editing in domestic features—sound effects and Foley, 2004, for Terminator 3: Rise of the Machines; Emmy Award (with others), outstanding sound editing for a series, 2004, for Deadwood.

CREDITS

Film Work:

Sound effects editor, The Shadow of Chikara (also known as Demon Mountain, Diamond Mountain, Shadow Mountain, The Ballad of Virgil Cane, The Curse of Demon Mountain, Thunder Mountain, and Wishbone Cutter), 1977.

Sound effects editor, Grayeagle, 1977.

Sound effects editor, Deathsport, 1978.

Sound effects editor, The Amityville Horror, 1979.

Sound editor, Star Trek: The Motion Picture, Paramount, 1979.

(As Stephen Flick) Sound effects editor, The Final Countdown (also known as U.S.S. Nimitz: Lost in the Pacific), United Artists, 1980.

Sound effects, Dr. Heckyl and Mr. Hype, Cannon, 1980.

Sound effects editor, The Hand, 1981.

Sound editor, Pennies from Heaven, Metro-Goldwyn-Mayer/United Artists, 1981.

(As Steve H. Flick) Sound effects editor, Raiders of the Lost Ark (also known as Indiana Jones and the Raiders of the Lost Ark), Paramount, 1981.

(As Stephen Flick) Sound effects editor supervisor, 48 Hrs., Paramount, 1982.

Supervising sound editor, Poltergeist, Metro-Goldwyn-Mayer, 1982.

(As Stephen Flick) Sound editor, Under Fire, Orion, 1983.

Supervising sound effects editor, Deal of the Century, 1983.

(As Stephen Flick) Sound editor supervisor, Streets of Fire, Universal, 1984.

(As Stephen Flick) Sound editor supervisor, Body Double, Columbia, 1984.

Sound editor supervisor, Weird Science, Universal, 1985.

Sound editor supervisor, Brewster's Millions, Universal, 1985.

Sound effects editor, Solarbabies (also known as Solar Warriors), 1986.

(As Stephen Flick) Supervising sound effects editor, The Hitcher, 1986.

Sound effects editor, Star Trek IV: The Voyage Home (also known as The Voyage Home: Star Trek IV), 1986.

(As Stephen Flick) Sound editor, Robocop, Orion, 1987.

(As Stephen H. Flick) Sound editor, Harry and the Hendersons (also known as Bigfoot and Bigfoot and the Hendersons), 1987.

(As Stephen H. Flick) Sound effects, Die Hard, Twentieth Century-Fox, 1988.

Supervising sound effects editor, Poltergeist III (also known as Poltergeist III: The Final Chapter), 1988.

(As Stephen Flick) Sound effects, Action Jackson, 1988.

Supervising sound editor, Dad, 1989.

Associate producer and (as Stephen Flick) post-production supervisor, 84C MoPic (also known as 84 Charlie Mopic), 1989.

Assistance, Sex, Lies and Videotape, Miramax, 1989.

Supervising sound editor, Tremors, 1990.

Supervising sound effects editor, Total Recall, TriStar, 1990.

Sound effects supervisor and supervising sound editor, Robocop 2, Orion, 1990.

Sound effects, Predator 2, Twentieth Century-Fox, 1990.

(As Stephen Flick) Sound effects editor, Point Break, Largo Entertainment, 1991.

Supervising sound editor, Eyes of an Angel (also known as The Tender), 1991.

Sound effects editor, Basic Instinct (also known as Ice Cold Desire), 1992.

Dialogue editor, Batman Returns, 1992.

(As Stephen H. Flick) Supervising sound editor, Reservoir Dogs, 1992.

Associate producer, Eddie Presley, 1992.

(As Stephen H. Flick) Supervising sound editor, Gladiator, 1992.

(As Stephen H. Flick) Supervising sound editor, Hoffa, 1992.

(As Stephen H. Flick) Supervising sound editor, Best of the Best II, 1993.

Sound editor, Quick (also known as Crossfire), 1993.

Supervising sound editor, Striking Distance, 1993.

Supervising sound editor, Speed, 1994.

(As Stephen H. Flick) Supervising sound editor, Pulp Fiction, 1994.

(As Stephen Flick) Supervising sound editor, The Return of Jafar (also known as Aladdin 2), 1994.

(As Stephen H. Flick) Supervising sound editor, Reality Bites, 1994.

Associate producer, The Pornographer (also known as Family Values), 1994.

Sound designer, The Coriolos Effect (also known as Kisses in the Dark), 1994.

(As Stephen Flick) Supervising sound editor, The Next Karate Kid, 1994.

Sound effects, Maya Lin: A Strong Clear Vision, 1994.

Supervising sound editor, Hideaway, 1995.

Supervising sound editor, Apollo 13, 1995.

Sound effects supervisor, Showgirls, 1995.

Supervising sound editor, Aladdin and the King of Thieves (animated), 1995.

(As Steven Hunter Flick) Supervising sound editor, Mulholland Falls, Metro-Goldwyn-Mayer, 1996.

Supervising sound editor, Twister, Warner Bros., 1996.

(As Stephen H. Flick) Supervising sound editor, Alaska, Sony Pictures Entertainment, 1996.

Supervising sound editor, The Long Kiss Goodnight, New Line Cinema, 1996.

Supervising sound editor, Aladdin and the King of Thieves (animated), Walt Disney Home Video, 1996.

Sound designer, Mad Dog Time (also known as Trigger Happy), 1996.

Associate producer, Deep in the Heart (also known as Deep in the Heart (of Texas)), 1996.

Sound designer and sound supervisor, Starship Troopers, Sony Pictures Entertainment, 1997.

(Uncredited) Supervising sound editor, Jackie Brown, 1997.

Supervising sound editor, Nightwatch, Dimension/Miramax, 1998.

Sound designer and sound supervisor, Disturbing Behavior (also known as Disturbing Behaviour), Columbia TriStar, 1998.

Supervising sound editor, T-Rex: Back to the Cretaceous, Imax Corp., 1998.

(As Stephen Flick) Sound editor, That Strange Person, 1998.

Sound designer, Home Fries, 1998.

Sound designer and sound supervisor, A Murder of Crows, New City Releasing, 1999.

Sound designer and supervising sound editor, The General's Daughter (also known as Wehrlos—Die tochter des generals), Paramount, 1999.

Sound designer and supervisor, Mystery Men, Universal, 1999.

Sound designer and supervisor, Play It to the Bone, 1999.

Supervising sound editor, The Big Tease, Warner Bros., 1999.

Supervising sound editor, The Hi-Line, Panorama Entertainment, 1999.

Sound designer, My Dog Skip, Warner Bros., 2000.

Sound designer and sound editor, Urbania, Lions Gate Films, 2000.

Supervising sound editor, Bless the Child (also known as Die prophezeiung), Paramount, 2000.

Sound designer and supervising sound editor, All the Pretty Horses, Miramax, 2000.

Sound supervisor and sound designer, The Contender (also known as Rufmord-Jenseits der moral), 2000.

Sound designer, Road Dogs, 2000.

Special sound effects, Charlie's Angels (also known as 3 Engel fur Charlie), 2000.

(As Steve Flick) Sound editor, D. C. Smalls (short), 2001.

Sound supervisor, The Stickup, 2001.

Supervising sound editor, Along Came a Spider (also known as Im Netz der spinne and Le masque de l'araignee), Paramount, 2001.

Supervising sound editor, Daddy and Them (also known as Daddy & Them), Miramax, 2001.

Supervising sound editor, Equilibrium, Dimension Films, 2001.

Supervising sound editor, Scenes of the Crime, Media-film, 2001.

Sound designer, The Learning Curve (also known as Dangerous Seduction), Metro-Goldwyn-Mayer, 2001.

(As Steve Flick) Sound effects editor, Tangled, Buena Vista Home Video, 2001.

Sound designer and sound supervisor, Spider-Man, Columbia, 2002.

Supervising sound editor, Spy Kids 2: Island of Lost Dreams (also known as Spy Kids 2: The Island of Lost Dreams), Miramax, 2002.

Supervising sound editor, Equilibrium (also known as Cubic), Miramax, 2002.

Supervising sound editor, Tuck Everlasting, Buena Vista, 2002.

Sound designer and sound supervisor, Levity, Sony Pictures Classics, 2003.

Supervising sound editor, Terminator 3: Rise of the Machines (also known as T3 and Terminator 3—Rebellion der maschinen), Warner Bros., 2003.

Sound designer, Road Dogs (also known as Road Kings), Lions Gate Films, 2003.

Sound effects editor, Spy Kids 3-D: Game Over (also known as Spy Kids 3: Game Over), Dimension Films, 2003.

Sound editor, You Got Served, Screen Gems, 2004.

(As Steve Flick) Warrior bug sound effects, Starships Troopers 2: Hero of the Federation, Columbia TriStar Home Video, 2004.

Sound effects editor, Blade: Trinity, New Line Cinema, 2004.

Sound designer, The Chumscrubber, Newmarket Films, 2005.

Sound effects editor, Constantine, Warner Bros., 2005.

Sound designer and sound supervisor, Hostage (also known as Hostage—Entfuhrt), Miramax, 2005.

Sound guru, Fugitive Hunter (also known as End of Law), Brazos Productions, 2005.

Supervising sound designer and editor, Zathura: A Space Adventure (also known as Zathura), Columbia, 2005.

(As Stephen Flick) Supervising sound editor, Ultraviolet, Screen Gems, 2006.

Executive producer, Gold Fever (short), Brazos Productions, 2006.

Co-executive producer, El Cortez, Brazos Productions, 2006.

Supervising sound editor and (as Stephen Flick) sound design, Premonition, TriStar, 2007.

(As Stephen Flick) Sound designer, The Invisible, Buena Vista, 2007.

Television Work; Series:

Sound designer and sound consultant, Deadwood, HBO, 2003.

Television Work; Movies:

(As Steve Flick) Sound effects editor, Savage Journey, 1983.

Supervising sound editor, Partners, 1993.

Sound designer and sound supervisor, Brave New World, 1998.

Sound supervisor, ATF, ABC, 1999.

Sound designer and supervisor, A Murder of Crows, 1999.

Sound designer, The Five People You Meet in Heaven, ABC, 2004.

Supervising sound editor and sound design, Bury My Heart at Wounded Knee, HBO, 2007.

Television Work; Specials:

Sound effects editor and Foley artist, Medal of Honor: True Stories of America's Greatest War Heroes, 1990, 1991.

Supervising sound editor, Contact, Showtime, 1993.

Supervising sound editor, Partners, Showtime, 1994.

Post-audio consultant, Black Filmmaker Showcase, Showtime, 2005.

Television Work; Pilots:

(As Steven H. Flick) Sound editor, Deadwood, HBO, 2004.

OTHER SOURCES

Periodicals:

The Hollywood Reporter Craft Series: Sound Editors and Mixers, February 4, 1991, pp. S-10, S-12.