King, Matthew Peter

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King, Matthew Peter

King, Matthew Peter, English composer and music theorist; b. London, c. 1773; d. there, Jan. 1823. He received training from C.F. Horn. He wrote much stage music and publ. the treatises Thorough Bass Made Clear to

every Capacity (London, c. 1810) and A General Treatise on Music, Particularly Harmony or Thoroughbass (London, 1812).

Works

dramatic(all 1st perf. in london): comic opera:Matrimony (Nov. 20, 1804); The Weathercock (Nov. 18, 1805); False Alarms, or My Cousin (Jan. 12, 1807; in collaboration with J. Braham); Up All Night, or The Smuggler’s Cave Qune 26, 1809); Oh, This Love, or The Masqueraders (June 12, 1810); The Americans (April 27, 1811; in collaboration with J. Braham). melodramatic opera:Plots!, or The North Tower (Sept. 3, 1810). grand romantic opera:One o’clock, or The Knight and the Wood Daemon (Aug. 1, 1811; in collaboration with M. Kelly). other dramatic: Musical farces; melodramas. other:The Intercession, oratorio (London, June 1, 1816); many glees and songs; numerous instrumental pieces.

—Nicolas Slonimsky/Laura Kuhn/Dennis McIntire

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