Olah, Tiberiu

Olah, Tiberiu , Romanian composer; b. Arpăşel, Jan. 2, 1928. He studied at the Cluj Cons. (1946–49) and the Moscow Cons. (1949–54), and in each of the years from 1966 to 1971, he attended the summer courses in new music at Darmstadt. In 1954 he joined the faculty of the Bucharest Cons. In his music he adopts a strong contrapuntal style, with some excursions into the atonal domain and dodecaphonic organization.

Works

orch.:Little Suite (1954); 2 syms. (1952–55; 1985–87); Coloanafără sfişit (Endless Column), symphonic poem inspired by the works of the Romanian sculptor Constantin Brâncuşi (1962); Poarta sărutului (Archway of the Kiss), symphonic poem (1966); Masa tăcerii (The Table of Silence), symphonic poem (1967–68); 5 Pieces (1966); Crescendo (1972); Evenimente 1907 (1972); Harmonies: No. 1 (1975), No. 3 (1977–78), and No. 4, concerto for 23 Instruments (1981). chamber: String Quartet (1952); Trio for Violin, Clarinet, and Piano (1954); Violin Sonatina (1955); 2 sonatas for Solo Clarinet (1963, 1982); Spaţiu şi ritm (Space and Rhythm), étude for 3 Percussion Groups (1964); Translations for 16 Strings (1968); Perspectives for 13 Instruments (1969); Sonata for Solo Cello (1971); Invocations for Various Instruments (1971); Time of Memory for Chamber Ensemble (1973; N.Y., Dec. 6, 1974); Harmonies: No. 2 for Winds and Percussion (1976); Sonata for Solo Flute (1978); Sonata for Violin and Percussion (1985); Sonata for Saxophone and Tape (1986). piano: Sonatina (1950). vocal: 4 cantatas: Cantata for Women’s Chorus, 2 Flutes, Strings, and Percussion (1956), Prind visele aripi (Dreams Become Reality, 1959), Lumina lui Lenin (The Light of Lenin, 1959), and Constelaria omului (The Galaxy of Man, 1960); Echinocţii (Equinoxes) for Voice, Clarinet, and Piano (1967).

—Nicolas Slominsky/Laura Kaun/Dennis McIntire