DiCamillo, Kate 1964-

PERSONAL:

Born March 25, 1964, in Philadelphia, PA; daughter of Adolph Louis (an orthodontist) and Betty Lee (a teacher) DiCamillo. Education: University of Florida, B.A., 1987.

ADDRESSES:

Home—Minneapolis, MN. Agent—Pippin Properties, Inc., 155 E. 38th St., Ste. 2H, New York, NY 10016.

CAREER:

Writer. Bookman (book distributor), St. Louis Park, MN, former bookstore clerk.

AWARDS, HONORS:

McKnight artist fellowship for writers, 1998; Newbery Honor Book award, and Hedgie Award, Hedgehogbooks.com, both 2000, and Dorothy Canfield Fisher Children's Book Award, 2002, all for Because of Winn-Dixie; finalist, National Book Award, for The Tiger Rising; Newbery Medal, 2003, for The Tale of Despereaux; Boston Globe-Horn Book Award for fiction and poetry, 2006, for The Miraculous Journey of Edward Tulane; Chicago Tribune, Prize for Young Adult Fiction, 2006; Anne V. Zarrow Award for Young Readers' Literature, 2007.

WRITINGS:

"MERCY WATSON" SERIES; FOR CHILDREN

Mercy Watson to the Rescue, illustrated by Chris van Dusen, Candlewick Press (Cambridge, MA), 2005.

Mercy Watson Goes for a Ride, illustrated by Chris van Dusen, Candlewick Press (Cambridge, MA), 2006.

Mercy Watson Fights Crime, illustrated by Chris van Dusen, Candlewick Press (Cambridge, MA), 2006.

Mercy Watson: Princess in Disguise, illustrated by Chris van Dusen, Candlewick Press (Cambridge, MA), 2007.

Mercy Watson Thinks Like a Pig, illustrated by Chris van Dusen, Candlewick Press (Cambridge, MA), 2008.

OTHER; FOR CHILDREN

Because of Winn-Dixie, Candlewick Press (Cambridge, MA), 2000.

The Tiger Rising, Candlewick Press (Cambridge, MA), 2001.

The Tale of Despereaux: Being the Story of a Mouse, a Princess, Some Soup, and a Spool of Thread, illustrated by Timothy Basil Ering, Candlewick Press (Cambridge, MA), 2003.

The Miraculous Journey of Edward Tulane, illustrated by Bagram Ibatoulline, Candlewick Press (Cambridge, MA), 2006.

Great Joy, Candlewick Press (Cambridge, MA), 2007.

Contributor of short fiction to periodicals, including Jack and Jill, Alaska Quarterly Review, Greensboro Review, Nebraska Review, and Spider.

ADAPTATIONS:

Several of the author's books have been adapted as audiobooks; Because of Winn-Dixie was adapted for film, 2005; The Tale of Despereaux: Being the Story of a Mouse, a Princess, Some Soup, and a Spool of Thread was optioned for a film; The Miraculous Journey of Edward Tulane was optioned for a film by New Line Cinema.

SIDELIGHTS:

Kate DiCamillo is "short. And loud," as she admits on her Web site. Though she trained to become an author, prior to 2000 DiCamillo had only published a few adult short stories in magazines. She worked in Minneapolis for the Bookman, a book distributor, in the children's department. It was during this time in Minneapolis, while she was missing the warm weather of Florida where she had spent much of her life, that DiCamillo began her first novel. Jennifer M. Brown, who interviewed the author for Publishers Weekly, reported: "This is what happened: she was just about to go to sleep when the book's narrator, India Opal Buloni, spoke to her, saying, ‘I have a dog named Winn-Dixie.’ DiCamillo says that after hearing that voice, ‘the story told itself.’" From that moment, DiCamillo never stopped listening, and from India Opal Buloni in Because of Winn-Dixie to the mouse Despereaux in The Tale of Despereaux: Being the Story of a Mouse, a Princess, Some Soup, and a Spool of Thread, each of her narrators has given voice to a new story, different from the last. Because of Winn-Dixie was named a Newbery Honor Book after its publication, and three years later, The Tale of Despereaux was awarded the prestigious Newbery Medal. DiCamillo has also gone on to tell a winning tale of a lost rabbit in The Miraculous Journey of Edward Tulane, and presents a somewhat naughty pig in a series of books featuring Mercy Watson.

Because of Winn-Dixie is the tale of a girl and her dog—and the dog in this case is Winn-Dixie, a stray mutt, a smelly, ugly dog who seems to have plenty of love to give. India Opal is in need of some of that love; she and her father just moved to Naomi, Florida, after her mother died, and she has been having trouble fitting in. "Rarely does salvation come in the form of a creature with as much personality as Winn-Dixie," wrote a Horn Book reviewer. Somehow, Winn-Dixie manages to open doors in India's life that she had not even seen. "Readers will connect with India's love for her pet and her open-minded, free-spirited efforts to make friends and build a community," assured Gillian Engberg in her Booklist review. Helen Foster James, writing for the School Library Journal, asked if libraries really need another girl-and-her-dog book, then answered her own question: "Absolutely, if the protagonist is as spirited and endearing as Opal and the dog as loveable and charming as Winn-Dixie." A critic for Publishers Weekly noted that DiCamillo's "bittersweet tale of contemporary life in a Southern town will hold readers rapt," while Kathleen Odean wrote in Book that Because of Winn-Dixie is "a short, heartfelt book."

It took DiCamillo some time to get Because of Winn-Dixie to a publisher. She continued to work at the Bookman until she ran into a sales rep for Candlewick Press. "I told her, ‘I love everything that Candlewick does, but I can't get in the door because I don't have an agent, and I've never been published, and they won't look at unsolicited manuscripts,’" DiCamillo explained to Kathleen T. Horning in an interview for the School Library Journal. The sales rep responded: "If you give me a manuscript, I'll get it to an editor." From there, it was not long until DiCamillo became a published children's author. "So that's how it happened," she explained, "great good fortune."

DiCamillo's second novel, The Tiger Rising, is aimed at a young-adult audience but contains a similar setting to Because of Winn-Dixie. Rob and his father move to a small town in Florida, and Rob cannot figure out how to fit in. Rob has been dealing with pain for a long time, however, and he is good at keeping his emotions to himself. He manages to get a job with his father's boss, Beauchamp, taking care of a caged wild tiger Beauchamp keeps at an abandoned gas station. Ultimately, Rob meets Sistine, another new kid at school who is as openly angry at the world as Rob is secretive about his feelings, and things begin to change in Rob's life. Rob and Sistine come to believe they must free the tiger in order to liberate themselves.

The Tiger Rising "has a certain mythic quality" according to a reviewer in Horn Book. A critic for Publishers Weekly noted that, with her second novel, "DiCamillo demonstrates her versatility by treating themes similar to those of her first novel with a completely different approach." School Library Journal reviewer Kit Vaughan praised the "slender story" as "lush with haunting characters and spare descriptions, conjuring up vivid images." Claire Rosser, writing in Kliatt, complimented DiCamillo's text as "spare, poetic, [and] moving," while GraceAnne A. DeCandido, in a Booklist review, wrote that the author's "gorgeous language wastes not a single word."

In 2003, DiCamillo took a new path in her writing, publishing something entirely different with more than a little trepidation. In the acceptance speech for her Newbery Medal, she explained: "Four years ago, when he was eight years old, my friend Luke Bailey asked me to write the story of an unlikely hero. I was afraid to tell the story he wanted told: afraid because I didn't know what I was doing; afraid because it was unlike anything I had written before; afraid, I guess, because the story was so intent on taking me into the depths of my own heart. But Luke wanted the story. I had promised him. And so, terrified and unwilling, I wrote The Tale of Despereaux." DiCamillo need not have worried; the book was well received by critics and readers and earned her the Newbery Medal. The story tells of Despereaux Tilling, a mouse more interested in reading books than eating them, who falls in love with a human princess. It also tells of a villainous rat, Roscuro, who longs to live in the light, and Miggery Sow, a serving girl who believes that someday she will become a princess. When Roscuro and Miggery kidnap the princess, it is up to Despereaux, small even for a mouse, to come to her rescue.

Narrated in a style that encourages reading aloud, The Tale of Despereaux contains "all the ingredients of an old-fashioned drama," according to a critic for Kirkus Reviews. Peter D. Sieruta, writing in Horn Book, noted that "DiCamillo tells an engaging tale…. Many readers will be enchanted by this story of mice and princesses, brave deeds, … and forgiveness." Miriam Lang Budin, writing in the School Library Journal, considered the book to be "a charming story of unlikely heroes whose destinies entwine to bring about a joyful resolution." Kathleen T. Horning wrote in School Library Journal that the book "contains a cast of quirky characters that would have made Dickens proud," while a Publishers Weekly critic, imitating the narrator's style, wrote: "I must tell you, you are in for a treat."

DiCamillo is also the author of a series of early chapter books about a pet pig named Mercy Watson, who has "personality a-plenty" according to a reviewer for Publishers Weekly. In the first book, Mercy Watson to the Rescue, Mercy manages to make her owners' bed start to fall through the floor of their room while they are on it; afraid to move, they cheer for Mercy as she leaves the room, convinced that she is going to find a way to rescue them. After a series of chaotic events, the neighbors eventually call the fire department, and when Mercy's owners are rescued, they give the pig all the credit. A Publishers Weekly critic felt that with Mercy Watson to the Rescue, DiCamillo "once again displays her versatility."

DiCamillo continues her series with Mercy Watson Goes for a Ride, in which Mercy takes Mr. Watson's prized pink Cadillac for a ride. Booklist contributor Stephanie Zvirin found this title "great for emergent readers." School Library Journal reviewer Joy Fleishhacker had similar praise, terming the book an "action-packed escapade." The third addition to the series, Mercy Watson Fights Crime, finds the toast-loving porcine protagonist investigating a sound in the night, which she mistakes for someone making toast. Instead, she discovers and interrupts an intruder in the process of gaining entrance to the Watson home. Booklist contributor Ilene Cooper wrote of this installment: "Even beginning readers will wish for more." A Library Journal contributor praised the "roller-coaster action, abundant humor, and slick artwork" in this series entry. A Kirkus Reviews critic described this book as "silly crime-solving for the growing number of Mercy's young fans moving on from easy readers." And for Elaine Lesh Morgan, writing in School Library Journal, Mercy Watson Fights Crime was a "rollicking adventure."

In Mercy Watson: Princess in Disguise, Mrs. Watson has purchased a princess costume for Mercy to wear for Halloween. Mercy is much more interested in the candy and other treats that the holiday brings, and she is reluctant to try on the costume, which looks tight. However, once she gives in, the Watsons head out for a night of trick or treating, and Mercy attracts adventures all along the route. Mary Elam, in a review for School Library Journal, dubbed the book "an adventure to grab the attention of both Mercy fans and readers new to her escapades." Booklist reviewer Ilene Cooper declared that this latest Mercy story "has the same bright appeal as previous books."

With The Miraculous Journey of Edward Tulane DiCamillo presents a tale of a toy rabbit named Edward who becomes lost and has a series of amazing adventures far from the loving arms of the little girl to whom he belongs. Edward is rather vain and not very responsive to Abilene, who loves him dearly. Falling overboard during an ocean voyage, the china rabbit finally learns to feel emotions, from fear to love. A reviewer for Children's Bookwatch found this a "poignant story." Higher praise came from School Library Journal reviewer B. Allison Gray, who described the work as an "achingly beautiful story [that] shows a true master of writing at her very best." Gray further commented that "this superb book is beautifully written in spare yet stirring language." Similarly, a Kirkus Reviews critic praised DiCamillo's "older storytelling style, filled with magic and the transformational power of love." Reviewing the book in Publishers Weekly, two-time Newbery Medal-winner Katherine Paterson noted that like all fairy tales, this book ends happily. "But it is the journey from pride through humiliation, heartbreak and near destruction that brings Edward to that joyful ending," Paterson wrote.

Great Joy is set at Christmastime during the 1940s and features Frances, a young girl getting ready to play an angel in the local Christmas pageant. However, Frances finds herself distracted by the organ grinder and monkey who have been standing out on the street corner for the last week. She wants to know where they came from, and, perhaps more importantly, where they go at night. When she stays up late one night and still can spy them standing down below, she realizes that they are likely homeless. On the night of the pageant, Frances invites the organ grinder to come down to the church to see the show, thus illustrating the true meaning of the holiday spirit, and what it is like to "bring tidings of great joy." A reviewer for Publishers Weekly remarked on the development of "a tale of compassion and holiday warmth from a most unlikely image."

DiCamillo once commented: "I was a sickly child. My body happily played host to all of the usual childhood maladies (mumps and measles, chickenpox twice, and ear infections), plus a few exotic extras: inexplicable skin diseases, chronic pinkeye, and, most dreaded of all, pneumonia, recurring every winter for the first five years of my life. I mention this because, at the time, it seemed like such a senseless and unfair kind of thing to me, to be sick so often, to miss so much school, to be inside scratching or sneezing or coughing when everybody else was outside playing.

"Now, looking back, I can see all that illness for what it was: a gift that shaped me and made me what I am. I was alone a lot. I learned to rely on my imagination for entertainment. Because I was always on the lookout for the next needle, the next tongue depressor, I learned to watch and listen and gauge the behavior of those around me. I became an imaginative observer.

"Also, I suffered from chronic pneumonia at a time when geographical cures were still being prescribed. I was born near Philadelphia and, after my fifth winter in an oxygen tent, the doctor gave my parents this advice: take her to a warmer climate. We moved to central Florida. There I absorbed the speech patterns and cadences and nuances of life in a small southern town. I did not know it at the time, but Florida (and pneumonia) gave me a great gift: a voice in which to tell my stories.

"When I look back on childhood, I remember one moment with great clarity. I was three years old and in the hospital with pneumonia, and my father came to visit me. He arrived in a black overcoat that smelled of the cold outdoors, and he brought me a gift. It was a little, red net bag. Inside it there was a wooden village: wooden church, house, chicken, tree, farmer. It was as if he had flung the net bag out into the bright world and captured the essential elements and shrunk them down and brought them to me.

"He opened the bag and said, ‘Hold out your hands.’ I held out my hands. ‘No,’ he said, ‘like this. Like you are going to drink from them.’ I did as he said, and he poured the wooden figures, piece by piece, into my waiting hands. Then he told me a story about the chicken and the farmer and the house and the church. Something opened up inside me. There was the weight of the wooden figures in my hands, the smell of my father's overcoat, the whole great world hiding, waiting in the purple dusk outside my hospital room. And there was the story—the story.

"I think of that moment often. It was another gift of my illness. When I write, I sometimes stop and cup my hands, as if I am drinking water. I try, I want desperately to capture the world, to hold it for a moment in my hands."

BIOGRAPHICAL AND CRITICAL SOURCES:

PERIODICALS

Book, May, 2001, Kathleen Odean, review of Because of Winn-Dixie, p. 80; November-December, 2003, review of The Tale of Despereaux: Being the Story of a Mouse, a Princess, Some Soup, and a Spool of Thread, p. 67.

Booklist, May 1, 2000, Gillian Engberg, review of Because of Winn-Dixie, p. 1665; June 1, 2001, GraceAnne A. DeCandido, review of The Tiger Rising, p. 1882, Patricia Austin, review of Because of Winn-Dixie, p. 1906; October 15, 2001, Lolly Gepson, review of audiobook The Tiger Rising, p. 428; January 1, 2004, review of The Tale of Despereaux, p. 780; March 1, 2004, Patricia Austin, review of audiobook The Tale of Despereaux, p. 1212; January 1, 2006, "There's Something about Edward," p. 112; May 1, 2006, Stephanie Zvirin, review of Mercy Watson Goes for a Ride, p. 82; June 1, 2006, Joan Kindig, review of audiobook The Miraculous Journey of Edward Tulane, p. 115; October 15, 2006, Ilene Cooper, review of Mercy Watson Fights Crime, p. 44; July 1, 2007, Ilene Cooper, review of Mercy Watson: Princess in Disguise, p. 58.

Childhood Education, fall, 2006, Mary Anne Hannibal, review of Mercy Watson Goes for a Ride; fall, 2006, Mary Anne Hannibal, review of The Miraculous Journey of Edward Tulane.

Children's Bookwatch, June 1, 2006, "Candlewick Press."

Hollywood Reporter, May 24, 2006, "Stockwell Takes Trip with ‘Tulane’," p. 4.

Horn Book, July, 2000, review of Because of Winn-Dixie, p. 455; May, 2001, review of The Tiger Rising, p. 321, Kristi Beavin, review of audiobook Because of Winn-Dixie, p. 359; September-October, 2003, Peter D. Sieruta, review of The Tale of Despereaux, p. 609; May-June, 2004, Kristi Elle Jemtegaard, review of audiobook The Tale of Despereaux, p. 349; July-August, 2004, Kate DiCamillo, "Newbery Medal Acceptance Speech," pp. 395-400, Jane Resh Thomas, "Kate DiCamillo," pp. 401-404; March 1, 2006, Susan Dove Lempke, review of The Miraculous Journey of Edward Tulane, p. 184.

Kirkus Reviews, July 15, 2003, review of The Tale of Despereaux, p. 962; January 15, 2006, review of The Miraculous Journey of Edward Tulane, p. 83; May 15, 2006, review of Mercy Watson Goes for a Ride, p. 516; August 1, 2006, review of Mercy Watson Fights Crime, p. 784.

Kliatt, November, 2002, Claire Rosser, review of The Tiger Rising, p. 18.

PR Newswire, August 30, 2006, "Kate DiCamillo Awarded 2006 Chicago Tribune Prize for Young Adult Fiction."

Publishers Weekly, February 21, 2000, review of Because of Winn-Dixie, p. 88; June 26, 2000, Jennifer M. Brown, "Kate DiCamillo," p. 30; January 15, 2001, review of The Tiger Rising, p. 77; April 9, 2001, review of audiobook Because of Winn-Dixie, p. 28; July 9, 2001, review of audiobook The Tiger Rising, p. 22; June 16, 2003, review of The Tale of Despereaux, p. 71; June 20, 2005, review of Mercy Watson to the Rescue, p. 77; December 12, 2005, Katherine Paterson, review of The Miraculous Journey of Edward Tulane, p. 67; March 20, 2006, review of audiobook The Miraculous Journey of Edward Tulane, p. 59; October 22, 2007, review of Great Joy, p. 55.

School Library Journal, June, 2000, Helen Foster James, review of Because of Winn-Dixie, p. 143; March, 2001, Kit Vaughan, review of The Tiger Rising, p. 246; June, 2001, Lori Craft, review of audiobook Because of Winn-Dixie, p. 74; August, 2001, Emily Herman, review of audiobook The Tiger Rising, p. 90; August, 2003, Miriam Lang Budin, review of The Tale of Despereaux, p. 126; March, 2004, Barbara Wysocki, review of audiobook The Tale of Despereaux, p. 88; April, 2004, Kathleen T. Horning, "The Tale of DiCamillo," pp. 44-48, review of The Tale of Despereaux, p. S28; April, 2005, "A Winn-Winn Situation," p. S7; February 1, 2006, B. Allison Gray, review of The Miraculous Journey of Edward Tulane, p. 95; June 1, 2006, Joy Fleishhacker, review of Mercy Watson Goes for a Ride, p. 110; July 1, 2006, Veronica Schwartz, review of audiobook The Miraculous Journey of Edward Tulane, p. 54; October 1, 2006, review of Mercy Watson Goes for a Ride, p. 43; November 1, 2006, Elaine Lesh Morgan, review of Mercy Watson Fights Crime, p. 90; April 1, 2007, review of Mercy Watson Fights Crime, p. 44; August, 2007, Mary Elam, review of Mercy Watson, p. 78.

ONLINE

BookPage,http://www.bookpage.com/ (June 12, 2007), Heidi Henneman, "Kate Dicamillo's Coming-of-Age."

Internet Movie Database,http://www.imdb.com/ (June 12, 2007), "Kate DiCamillo."

Kate DiCamillo Home Page,http://www.katedicamillo.com (June 12, 2007).

KidsReads.com,http://www.kidsreads.com/ (June 12, 2007), "Author Talk"; Terry Miller Shannon, review of Mercy Watson Fights Crime; Joy Held, review of Mercy Watson Goes for a Ride; Sally M. Tibbetts, review of The Miraculous Journey of Edward Tulane.

NNDB,http://www.nndb.com/ (June 12, 2007), "Kate DiCamillo."

Pippin Properties Web site,http://www.pippinproperties.com/ (June 12, 2007), "Kate DiCamillo."

Powells.com,http://www.powells.com/ (June 12, 2007), "Kate DiCamillo."

TeenReads.com,http://www.teenreads.com/ (June 12, 2007), Shannon Maughan, author interview.