Joseph, Branden W. 1967-
JOSEPH, Branden W. 1967-
PERSONAL:
Born February 24, 1967, in Opelika, AL. Education: Stanford University, B.A. (with distinction), 1989; Harvard University, M.A., 1993, Ph.D., 1999.
ADDRESSES:
Office—Department of Art History, University of California, Irvine, CA 92697-2785.
CAREER:
Rice University, Houston, TX, visiting lecturer in art history, 1999-2000; Princeton University, Princeton, NJ, lecturer in art history and member of Society of Fellows, 2000-03; University of California, Irvine, began as assistant professor, became associate professor of art history, 2004—. New School University, adjunct faculty at Parsons School of Design, between 1995 and 1999; invited lecturer at universities, including University of Florida, University of Michigan, Lehigh University, University of Melbourne, University of Chicago, Stanford University, Columbia University, and University of Groningen; conference and seminar participant; speaker at art and film festivals.
MEMBER:
AWARDS, HONORS:
Cotsen postdoctoral fellow, Princeton Society of Fellows in the Liberal Arts, 2000-03; Coca-Cola Berlin Prize fellow, American Academy in Berlin, 2005.
WRITINGS:
(Editor and contributor) Robert Rauschenberg, MIT Press (Cambridge, MA), 2002.
Random Order: Robert Rauschenberg and the Neo-Avant-Garde, MIT Press (Cambridge, MA), 2003.
(With Jonathan Walley) Anthony McCall: The Solid Light Films and Related Works, edited by Christopher Eamon, Northwestern University Press (Evanston, IL), 2005.
Contributor to books, including John Cage: Music, Philosophy, and Intention, 1933-1950, edited by David W. Patterson, Routledge (New York, NY), 2002; CTRL [SPACE]: Rhetorics of Surveillance from Bentham to Big Brother, edited by Thomas Y. Levin, Ursula Frohne, and Peter Weibel, MIT Press (Cambridge, MA), 2002; Summer of Love: Psychedelic Art, Social Crisis, and Counterculture in the 1960s, edited by Christoph Grunenberg and Jonathan Harris, Liverpool University Press (Liverpool, England), 2005; and Robert Rauschenberg: Combines, edited by Paul Shimmel, Museum of Contemporary Art (Los Angeles, CA), 2005. Contributor of articles and reviews to academic journals and other periodicals, including October, Critical Inquiry, Texte zur Kunst, Cahiers du Musée national d'art moderne, and Artforum. Founding editor, Grey Room, 2000—.