North, Roger
gale
views updated May 18 2018North, Roger
North, Roger, English lawyer and writer on music; b. probably in Tostock, Suffolk, c. 1651; d. Rougham, March 1, 1734. He was a member of Parliament, and served as Queen’s Attorney General under James II until the Revolution of 1688. His writings were not publ. during his lifetime and have only recently been recognized as significant contributions to music. See J. Wilson, ed., Roger North on Music: Being a Selection from His Essays Written during the Years c. 1695–1728 (London, 1959), M. Chan and J. Kassler, eds., Roger North’s Cursory Notes of Musicke (c. 1698-c. 1703): A Physical, Psychological and Critical Theory (Kensington, N.S.W., 1986), idem and J. Hine, Roger North’s Writings on Music to c. 1703: A Set of Analytical Indexes (Kensington, N.S.W., 1986), and idem, Roger North’s The Musical Grammarian and Theory of Sounds (Kensington, N.S.W., 1988).
—Nicolas Slonimsky/Laura Kuhn/Dennis McIntire
Baker’s Biographical Dictionary of Musicians
North, Roger
oxford
views updated Jun 27 2018North, Roger (
c.1653–1734). Aristocratic English amateur architect, he played an important role in negotiations with
Barbon for the rebuilding of The Temple, London, after the fire of 1678/9. He designed the Great Gateway from
Fleet Street to The Temple (1683–4), and was responsible for a number of other competent Classical designs, including alterations to Wroxton Abbey, Oxon. (1680–5), and to a house at Rougham, Norfolk (1690s—destroyed). An essay, entitled ‘Of Building’ by him survives in the
British Library.
Bibliography
BL Add. MSS 23005, 32510, 32540;
Colvin (1995);
Oxford Dictionary of National Biography (2004)
A Dictionary of Architecture and Landscape Architecture JAMES STEVENS CURL
North, Roger
oxford
views updated May 29 2018North, Roger (
b ?Tostock, Suffolk,
c. 1651;
d Rougham, Norfolk, 1734). Eng. author, lawyer, and musician. M. P. and Attorney-Gen. under James II but in 1688 retired to country life at Rougham. Wrote many essays on mus. His reminiscences span from the time of consorts of viols heard in his boyhood to Purcell and the It. ‘invasion’ of early 18th cent. They are specially valuable for their detailed discussion of performing practice in his lifetime.
The Concise Oxford Dictionary of Music MICHAEL KENNEDY and JOYCE BOURNE